Alex Lifeson Net Worth, Age, Height, Bio, Birthday, Wiki!

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During live Rush performances, Lifeson used MIDI controllers that enabled him to use his free hands and feet to trigger sounds from digital samplers and synthesizers, without taking his hands off his guitar. (Prior to this, Lifeson used Moog Taurus Bass Pedals before they were replaced by Korg MIDI pedals in the 1980s.) Lifeson and his bandmates shared a desire to accurately depict songs from their albums when playing live performances. Toward this goal, beginning in the late 1980s the band equipped their live performances with a capacious rack of samplers. The band members used these samplers in real-time to recreate the sounds of non-traditional instruments, accompaniments, vocal harmonies, and other sound “events” that are familiarly heard on the studio versions of the songs. In live performances, the band members shared duties throughout most songs, with each member triggering certain sounds with his available limbs, while playing his primary instrument(s).

From 1980 to 1986, Lifeson used four identically modified Stratocasters, all of them equipped with the Floyd Rose bridge. As a joke, he called these Hentor Sportscasters – a made-up name inspired by Peter Henderson’s name, who was the producer of Grace Under Pressure. He would start using them again twenty years later. He also played a Gibson Howard Roberts Fusion and an Ovation Adamas acoustic/electric guitar. By 1987, Lifeson switched to Signature guitar despite describing them as “awful to play—very uncomfortable–…had a particular sound I liked.” Lifeson primarily used PRS guitars in the later-half of the 1990 Presto tour, and again during the recording of Roll The Bones in 1990/1991. He would continue to play PRS for the next sixteen years through the recording and touring of Counterparts, Test for Echo and Vapor Trails as well as the R30 tour.

Lifeson made his film debut as himself under his birth name in the 1973 Canadian documentary film Come on Children.

While the bulk of Lifeson’s work in music has been with Rush, his first major outside work was his solo project, Victor, released in 1996. Victor was attributed as a self-titled work (i.e. Victor is attributed as the artist as well as the album title). This was done deliberately as an alternative to issuing the album explicitly under Lifeson’s name. The title track is from the W. H. Auden poem, also entitled “Victor”. Both son Adrian and wife Charlene also contributed to the album. A follow-up album, possibly including vocals by Sarah McLachlan, was rumoured in the late 1990s, but was apparently shelved due to Atlantic Records’ lack of support for the first album.